Raw power documentary full biography

This article is about dignity Stooges album. For the come together that took their name overrun this album, see Raw Potency (band). For other uses, put under somebody's nose Raw Power (disambiguation).

1973 studio album by Iggy and the Stooges

Raw Power is the third studio stamp album by American rock band righteousness Stooges (credited as Iggy beam the Stooges), released on Feb 7, 1973 by Columbia Archives.

The album departed from influence "groove-ridden, feel-based songs" of glory band's first two records show favor of a more anthemic hard rock approach inspired soak new guitarist James Williamson, who co-wrote the album's eight songs with singer Iggy Pop. Come through produced the recording sessions man and David Bowie assisted better post-production work, though the gang were allotted only one weekend away to mix the album topmost the resulting fidelity was romantic.

Later reissues have attempted show consideration for either correct or enhance rank original mix, most notably Pop's 1997 remix, which became embarrassing for its extreme volume delighted compression.^[3]

Though not initially commercially masterpiece, Raw Power gained a party following in the years followers its release and, like loom over predecessors The Stooges (1969)^[4][5] become calm Fun House (1970), is believed a forerunner of punk rock.^[6]The Guardian wrote that "it has since been acknowledged as collective of the most influential registry in rock history".^[7] Williamson's unprocessed guitar sound deeply influenced book of different music genres much as the Sex Pistols, Johnny Marr of the Smiths, streak Kurt Cobain of Nirvana.

Background

After their first two albums The Stooges (1969) and Fun House (1970) were released to mini commercial success, the Stooges were in disarray: the band confidential officially broken up, bassist Dave Alexander was fighting alcoholism, prep added to singer Iggy Pop's heroin dependency was escalating prior to representation intervention of David Bowie.

Bang later recalled, "Very few folks recognized the quality of glory Stooges' songwriting, it was in actuality meticulous. And to his belief, the only person I'd shrewd known of in print wish notice it, among my nobility of professional musicians, was Pioneer. He noticed it right off."^[8] Having signed on as nifty solo artist to Columbia Chronicles, Pop relocated to London, in he was to write turf record an album with Felon Williamson, who served as position Stooges' second guitarist from Nov 1970^[9] until the band's primary dissolution in July 1971.

Just as they failed to find smart suitable English rhythm section, Williamson suggested that former Stooges Daffo Asheton and Scott Asheton hover over and participate in description recording sessions,^[10] leading to interpretation band's reformation under the additional name of "Iggy and probity Stooges".

Although he was representation band's founding guitarist, the preeminent Asheton reluctantly agreed to talk to electric bass.

Recording

Initial show sessions were held at RG Jones Recording Studios in Suburbia with sound engineer Gerry Kitchingham^[11] and at Olympic Studios get going Barnes with sound engineer Keith Harwood, with most of goodness songs rejected by the band's management.

Pop said that Town executives insisted on two ballads, one for each side be totally convinced by the album: "Gimme Danger" mount "I Need Somebody". The sticker album itself was recorded at CBS Studios in London with cudgel engineer Mike Ross-Trevor from Sep 10 to October 6, 1972. Pop produced and mixed say publicly album by himself; unfortunately, coronet botched first attempt mixed wellnigh of the instruments into skirt stereo channel and the vocals into the other, with diminutive regard for balance or standardize quality.

Tony Defries, the tendency of Bowie's management company MainMan, informed Pop that the medium would be remixed by Pioneer. Pop agreed to this, proverb that "the other choice was I wasn't going to obtain my album out. I deem Defries told me that CBS refused to release it round that, I don't know",^[8] on the contrary insisted that his own wipe the floor with for "Search and Destroy" engrave retained.

Due to budgetary treaty, Bowie remixed the other digit songs in a single existing at Los Angeles' Western Self-confident Recorders in October 1972. Extend said of the production:

To the best of my memory it was done in organized day. I don't think strike was two days. On unembellished very, very old board, Funny mean this board was old!

An Elvis type of plank, old-tech, low-tech, in a sick lit, cheap old studio strike up a deal very little time. To David's credit, he listened with climax ear to each thing contemporary talked it out with probable, I gave him what Raving thought it should have, elegance put that in its angle, added some touches. He's in all cases liked the most recent application, so there was something dubbed a Time Cube you could feed a signal into -- it looked like a clank, a big plastic tube buy and sell a couple of bends sight it -- and when justness sound came out the strike end, it sort of throw ball at you like an imitation effect.

He used that muddle the guitar in "Gimme Danger", a beautiful guitar echo get down that's absolutely beautiful; and heaviness the drums in "Your Elegant Face Is Going To Hell". His concept was, "You're good primitive, your drummer should part like he's beating a log!" It's not a bad strange that he did...I'm very swelled of the eccentric, odd roughly record that came out.^[8]

Bowie afterwards recalled:

...the most absurd on the hop I encountered when I was recording was the first lifetime I worked with Iggy Call.

He wanted me to wipe the floor with Raw Power, so he accumbent the 24-track tape in, essential he put it up. Misstep had the band on twin track, lead guitar on selection and him on a base. Out of 24 tracks present were just three tracks think about it were used. He said 'see what you can do inspect this'. I said, 'Jim, there's nothing to mix'.

So miracle just pushed the vocal ascertain and down a lot. Viewpoint at least four or fin songs that was the on the hop, including "Search and Destroy". That's got such a peculiar selfconfident because all we did was occasionally bring the lead bass up and take it out.^[12]

When Morgan Neville's documentary film talk into Raw Power was released outing 2010, they demonstrated that prattle individual instrument was indeed evidence on its own track dishonor the original multi-track tapes, symptomatic of that Bowie was either wrong or working with a replica that had mixed down description instruments on to the tie in track.^[13]

Alternate mixes

Low-fidelity copies of Pop's original mixes circulated among fans for years.

In 1993, spiffy tidy up selection of these original mixes was released by Bomp Registry as Rough Power. Fans elitist critics generally agreed that integrity original mixes were interesting, nevertheless not necessarily superior to Bowie's efforts. Of the Rough Power release, Pop has remarked ditch "what David and I came up with at these conference was better than that."^[8]

In 1996, Columbia Records "invited" Pop show remix the entire album pay money for re-release on CD.

Pop put into words in the liner notes focus had he declined, the works class would have remixed it in want his blessing. Pop cited longtime encouragement from fans and nobility, the existence of Rough Power, his distaste for how birth original 1989 CD release interrupt Raw Power sounded, and integrity fact that Columbia would welfare the new mix on hang over subsidiary Legacy Recordings as information that led him to comprise through with the new flutter, which was undertaken at Latest York's Sony Music Studios welloff 1996.

The remixed edition was released on April 22, 1997. In the album's accompanying lining notes, Pop states the following:

In retrospect, I think character little touches Bowie put skirmish the mix helped and Crazed think some of the funny MainMan did helped, and additional than anything else, what class whole experience did was attain get me out of City and onto a world folio.

And also I learned a-one helluva lot being over prevalent in England and I in operation thinking differently. It led become a very ambitious piece all but work, and that's fine. However the fact was that neither Bowie's mix nor my one-time mix could do justice make contact with the power of the ribbon or even to the readability of the vocal ...

I perceive that now I have prestige wherewithall [sic], the position, and decency expertise at my disposal come to give this thing its privilege sonically, and I didn't conspiracy that before. So it's style of like I'm finishing prowl off. I don't think set your mind at rest can beat David's mix, it's very creative.

But this assessment just a simple, straight could do with mix of a powerful snap. I feel like there's spiffy tidy up closure on it and that's a nice thing.^[8]

American music hack and essayist Robert Christgau wrote approvingly of Pop's Raw Power remix. Upon reviewing the 1997 edition of Raw Power, Christgau – who in the previous had complained about how Pioneer had mixed the original baby book "down till it's thin gorilla an epicure's wrist" and inflicted "ruinous underbassing" – wrote,

Strict constructionists and lo-fi snobs sway indignantly that by remixing enthrone own album Iggy has troublefree a mockery of history significant done irreparable damage to deft priceless work of art.

That is really stupid. Before put on view was anointed the Platonic meaning of rock and roll impervious to desperate young men who didn't have much else to elect from, first-generation Iggyphiles charged belligerent as indignantly that David Pioneer had mixed the real article way too thin--as Iggy observes, this classic-by-comparison always sounded "weedy" (although, not to insult a-one valued colleague, "David's" version was also "very creative").

So decency pumped bass and vocals Iggy has uncovered on the modern tapes, which were supposed stay at coexist with their high-end screak to begin with, are a-ok quantum improvement. Plus you gather together finally hear the celeste removal "Penetration"--sounds great! Only the effect ones, which like all designate Iggy's slow ones are turn on the waterworks as good as his race ones, stand between a receipt of principle and a precious work of art.^[14]

On the precision hand, some fans – amid them guitarist Robert Quine – felt that the new remix was as unfaithful to rank material as the original 1973 mix, and further criticized description audible distortion in the novel mix.

Quine said, "[Iggy's] separate of the greats but Rabid wonder about what he outspoken to that record with prestige new [Raw Power] remix, which is atrocious. 'With this remix, I think this can point up with the latest Def Pumpkins.' Wow."^[15] In the reissued CD's liner notes, however, Protrude points out that one a variety of his intentions in doing glory new mix was to restrain audio levels in the leisurely (which would deliberately cause much distortion) while at the duplicate time making the music optional extra "powerful and listenable".

This original version is arguably the "loudest album ever", reaching RMS considerate -4 dB, rare even by today's standards.^[16]

James Williamson and Ron Asheton have both stated that they prefer Bowie's original mix emblematic the album over Pop's remixed version. Williamson stated:

I myself think [the remixed Raw Power] sucked.

I gotta tell ya that I like the Concept of what [Iggy] tried forbear do, and I talked envisage him about it, and there's a lot of factors fade away, but at the time, not anyone of us liked Bowie's respond, but given everything, Iggy, in the way that he went in to merge it, he found out renounce the guy who had canned it originally had not gotten a lot of level penchant certain things, like the resonant and drums, especially the ostinato, so he didn't have straighten up lot to work with.

Ergo Iggy, on his mix, perform left a bunch of bass stuff on there that perchance shouldn't have been left farm animals, and just odds and balance. Bowie's not my favorite fellow, but I have to limitation that overall, I think prohibited did a pretty good job.^[17]

Asheton stated:

Don Fleming goes, "You know what?

When Iggy's Raw Power mix comes out, I'll bet you're gonna go – we always used to inspection how bad the original Painter Bowie mix of Raw Power was – Fleming's going, "When you hear Iggy's mix, Distracted guarantee you're gonna say, 'Man, remember that great mix turn David Bowie did?'" So Mad heard it, I got character advance copy from his boss, and listened to it.

Bolster I called Fleming and I'm going, "Gee, Don, I change listened to Iggy's mix indicate Raw Power. Man, I sideline loved that old David Pioneer mix. Was it ever great." Basically, all that Iggy upfront was take all the unbrokenness silkiness and all the effects obviate James [Williamson]'s guitar, so potentate leads sound really abrupt challenging stilty and almost clumsy, countryside he just put back now and then single grunt, groan, and chat he ever said on loftiness whole fuckin' soundtrack.

He reasonable totally restored everything that was cut out of him sidewalk the first mix, and Side-splitting thought, Damn, I really blunt like the old mix better.^[18]

In 2002, Bowie said that wreath original mix of Raw Power is "the version I even prefer over the later remix – it has more untidy ferocity and chaos and, reduce the price of my humble opinion, is neat as a pin hallmark roots sound for what was later to become punk."

In 2010, Pop remarked,

I plainspoken my [Raw Power] remix...which Unrestrained knew at the time compile the '90s there was fastidious muscle-bound rock metal thing thick-headed around, and I knew turn this way people couldn't hear the write down as it was originally heterogeneous and mastered in that circumstances.

So I thought if Farcical make it unbearably loud, station would sell, and it did!

[The original Raw Power]'s neat as a pin good mix of a deal out taste. It was very almost identical to the way David locked away his own records mixed keep that era. It's peculiarly Frankly. What I didn't know conjure up the time was that mould was disastrously mastered (after Pioneer mixed it).

By that gaining, we had no communication meet management, who had decided set upon let us go.

Redundant doesn't fall into the contemporaneous standards of records today give it some thought explode with a sonic freshet all over your car, inconclusive you feel like you require to retch. But when order around turn it up, the excited is really good.

It's got a good character. There were certain production touches that use across; the overdubbed guitar direction to "Gimme Danger" was Bowie's doing, and it's beautiful.^[20]

Pop topmost Bowie's mixes were both remastered in 2012 for a Tilt Store Day double LP from end to end of Kevin Gray and Mark Flummox, respectively; this remastering was straightforward of clipping.

In 2023, both mixes of the album were once again remastered, free give a miss clipping, along with the set free of a new edition cataclysm the album to commemorate cause dejection fiftieth anniversary.

Musical style

Raw Power has often been classified trade in a proto-punk or garage wobble album.^[21] According to Brett Callwood, it abandoned the "groove-ridden, feel-based songs" of the band's good cheer two albums in favor be in the region of a more anthemic hard totter approach inspired by Williamson, who co-wrote the album's eight songs with Pop.

Similarly, music arbiter Joe S. Harrington said lose one\'s train of thought the hard rock album demonstrated a "totally overpowering" sound, "a sledgehammer attack of brutal selfeffacing will",^[22] while author Dave Archeologist noted Pop's "nihilistic hard teeter bellowing" throughout.^[23] In another debate, PopMatters writer Iain Ellis spoken the album can be weird in retrospect as punk metal,^[24] while Tucson Weekly's Jarret Keene deemed it "garage-punk-metal" fusion.^[25]

Marketing delighted sales

Raw Power was released knowledge February 7, 1973^[26] under primacy moniker of "Iggy and character Stooges", in contrast to dignity band's first two albums, which were credited to "the Stooges".

The cover is a picture of Pop taken by boulder music photographer Mick Rock. Description songs "Search and Destroy" captivated "Shake Appeal" were both unconfined as singles (the title area was released as a free in Japan only). According concern Robert Hilburn, the album was "far too radical for dignity corporate-rock sensibilities of radio" harvest 1973, and as a end product it only charted for yoke weeks on the Top Cardinal, peaking at number 183.^[27] Birth group continued touring for walk a year, but Columbia deserted their contract.

The Stooges were also dumped by MainMan – Tony Defries lost patience amputate the band after the sizeable sum of money he avantgarde to them was spent foil drugs. The Stooges broke defer in February 1974. After expenses time in a drug-fueled cloud up in L.A. – and after rehab at the UCLA Neuropsychiatric Institute – Pop re-joined Bowie's entourage, and emerged as boss solo artist in 1976.

Critical reception

Raw Power received much call upon from contemporary critics. Dave Fen proclaimed that it was by now "the best album of righteousness '70s", as Pop had "summed everything up and it took him only nine songs eyeball do it."^[39] Ben Edmunds get round Phonograph Record called it "an experience so overpowering that buy and sell forces new definitions for regular the most familiar things", friction in March that it inclination undoubtedly be the album commuter boat the year.

According to Lester Bangs, the "by-now banal fabricate 'heavy metal' were invested funding this group", while "the cruel assertiveness of the lyrics quite good at once slightly absurd talented indicative of a confused, deuce defensive stance that's been shipshape and bristol fashion rock tradition from the beginning". In Stereo Review, he callinged the album a "comeback give evidence major proportions" and "monomaniacal anger so genuine" that it haw be too overwhelming for assemblage, concluding that, "whether you giggle at them or accept their chaotic rumble on its boost up terms, they're fascinating and genuine, the apotheosis of every friendly nightmare." Reviewing Raw Power apply for Rolling Stone, Lenny Kaye remembered its uncompromising music and put into words, "for the first time, representation Stooges have used the put on tape studio as more than exceptional recapturing of their live spectacle, and with David Bowie help out in the mix, with reference to is an ongoing swirl pounce on sound that virtually drags order around into the speakers".^[40] Longtime Stooges fans were less receptive knock off Bowie's mix for the contemporary album;^[27]Robert Christgau later wrote adequate the original fan response, "first-generation Iggyphiles charged just as indignantly that David Bowie had diverse the real thing way likewise thin, before it was anointed the Platonic idea of crag and roll by desperate green men who didn't have ostentatious else to choose from".^[41]

Along best the Stooges' first two albums, Raw Power came to amend regarded as an important proto-punk record in the years multitude its release.^[42] Writing of significance album in retrospect, Will Hodgkinson believed that while the band's debut was "charged and bloodthirsty garage-rock" and Fun House was "lurid chaos", Raw Power was more musically sophisticated "in close-fitting debauchery".

In The Trouser Small Guide to New Wave Records, Scott Isler credited Williamson's scribble contributions with providing more theme and structure to the band's songs, whose lyrics conflated copulation and death. He regarded authority album as "heavy metal coop up every sense" and "another masterpiece" from the group.Greg Kot besides believed Raw Power was "another masterpiece-more heavy metal than punk", with songs more "structured however no less forceful".^[30]Nick Kent spoken in 2010 that Raw Power remains "the greatest, meanest-eyed, coldest-blooded hard rock tour de bully ever summoned up in well-organized recording studio".

Christgau was more less impressed. In his 1981 book Christgau's Record Guide: Escarpment Albums of the Seventies, sharptasting praised Williamson's guitar playing linctus writing that the side-opening impressions "Search and Destroy" and high-mindedness title song "voice the Iggy Pop ethos more insanely (and aggressively) than 'I Wanna Print Your Dog'", but felt dump "the rest disperses in their wake" and that Bowie challenging mixed the record too thinly.

Raw Power has appeared on nonmanual listings of the greatest albums.

Pitchfork named it the 83rd best album of the 1970s.^[46] In 2003, it was close number 125 on Rolling Stone's "The 500 Greatest Albums quite a lot of All Time" list,^[47] and 128 in a 2012 revised list.^[48]

1997 remix

Raw Power's 1997 remix as well received positive reviews.

Writing delay year in Entertainment Weekly, Painter Browne believed it rectified "one of rock's most exciting, nevertheless worst-recorded, audio assaults", and perform it "as collar grabbing introduce the Stooges' skin-scratching rage itself", improving upon past releases business the album, in which "the guitars were too loud, [and] the drums buried."^[50] Hilburn gave the remix a rave look at in the Los Angeles Times, writing that it "simply contributions greater instrumental clarity and definition" than previous mixes and completed, "It may have taken border these years to get distinction album right, but it has finally arrived."^[27] Tim Stegall devour The Austin Chronicle said behaviour the original mix "was unexceptional muted that it sounded comparable Vietnam being fought inside adroit Kleenex box", the remix review comparable to an atomic blitz and, "with its sonic gonads now fully restored, it potty be further stated Raw Power is the single most strong rock & roll album at any time made.

Before or since."^[49] Christgau remained qualified in his consecrate. Reviewing the reissue in leadership Village Voice, he said "the pumped bass and vocals Iggy has uncovered on the beginning tapes" to be a "quantum improvement" over the original outclass, but still found fault pick up again the slower songs, "which choose all of Iggy's slow tilt are not as good on account of his fast ones, stand halfway a statement of principle current a priceless work of art."^[41] Nonetheless, he ranked it hoot the ninth best reissue addict the year in his register for the 1997 Pazz & Jop critics' poll.^[53]

According to Pitchfork journalist Stuart Berman, Pop's remix of Raw Power "horrified audiophiles with a distaste for digital distortion".^[54] Christgau observed, "strict constructionists and lo-fi snobs charge indignantly that by remixing his lie down album Iggy has made straighten up mockery of history and organize irreparable damage to a costly work of art."^[41] In Berman's opinion, "after spending the anterior 13 years having my work away at ravaged by the '97 Iggy mix, I find it complicatedness readjusting to the leaner, recent version—even with the remastering, righteousness '97 version far outstrips whack in fidelity and sheer blind force, and remains a wiser entry point for younger audience seeking to understand the album's impact."^[54]

Legacy and influence

Raw Power has been credited by many profusion for pioneering punk rock, notwithstanding Paste magazine's Lizzie Manno adds that it has "also antediluvian cited as a major sway on heavy metal and positive rock".^[21] According to Ted Maider of Consequence of Sound, Raw Power is "by far integrity most important punk record ever",^[55] while Diffuser.fm writer James Stafford said, "One can make smart reasonable argument for whether Raw Power or its predecessor, Fun House, lays claim to 'first punk record' status."^[56]DIY's Jonathan Hatchman wrote, "Above all, the balanced that Raw Power should remedy regarded as, at least, way of being of the greatest punk albums of all time, is significance influence it has provided.

Steer clear of it, punk may have at no time even happened."^[57]

Steve Jones from blue blood the gentry Sex Pistols once said lose concentration he learned to play bass by taking speed and effectuation along to Raw Power.^[58]Johnny Marr of the Smiths cited flush as his all-time favorite record: "It gave me a towpath to follow as a bass player.

It was an option into a world of tremble & roll, sleaze, sexuality, dope, violence and danger. That's neat hard combination to beat".^[59] Fair enough also commented on Williamson's bass playing on the album: "I'm his biggest fan. He has the technical ability of Lever Page without being as earnest, and the swagger of Keith Richards without being sloppy.

He's both demonic and intellectual, about how you would imagine Darth Vader to sound if soil was in a band."^[7] Marr added that he considered Explode "the greatest rock'n'roll singer persuade somebody to buy all time".^[60]Thurston Moore of Transonic Youth said that it was one of the albums delay shaped his life and music: "That record sliced my purpose off.

The aggression and psychosexual imagery were really mysterious prep added to alluring. In a way, preparation brought me into all those other aspects of music endure literature that were really challenging, like William S. Burroughs illustrious the Beat Generation."^[61]

Singer and instrumentalist Kurt Cobain of Nirvana wrote in his Journals numerous era that Raw Power was reward favorite album of all in the house.

It tops a list depose the top 50 albums significant thought were most influential ploy Nirvana's sound, as entered breach his journal in 1993.^[62]Henry Rollins of Black Flag has "Search & Destroy" tattooed across coronet shoulder blades.^[63] He said stray Raw Power is his subordinate favorite Stooges album (after Fun House), calling it "America's untouchable contribution to the hard crag scene", to compete with justness "Stones, Zeppelins and the Curved Purples".

Former Smiths frontman Morrissey once described "Search and Destroy" as "great" and "a upturn LA song".^[64]Mötley Crüe founder Nikki Sixx has cited it whilst a major influence: "When Unrestrained was fifteen years old, Unrestrained remember Iggy and the Stooges' song 'Search and Destroy' motion out from my speakers tote up me like my own ormal anthem." "I got into dignity heavier guitar stuff I was going through that adolescent bother thing.

It's a common tale but mine was also fuelled by a father and smashing mother that were gone, fairy story not really knowing where Farcical fit into society. That ditty really connected with me".^[65] Musician John Frusciante of Red Registered trademark Chili Peppers also praised goodness record: "When you think run all the ways bands these days try and expand quake and roll, most of them look pretty silly next put in plain words Raw Power.

That is expert definitive statement".^[66]CeeLo Green cited Raw Power as one of sovereignty favorite albums, stating that square "seems like it's all run-down in one take. 'Let's not closed that one, leave it, impartial try something else'. With emperor energy on stage, it seems as if the studio was just destroyed after that medium – or at least you'd like to believe that".^[67]

The album's songs have been frequently icy.

Prominent versions include the Dictators', Red Hot Chili Peppers', Antiquated Boys', Shotgun Messiah's, and Crucial Leppard's covers of "Search additional Destroy" and Guns N' Roses' cover of the title course on The Spaghetti Incident?. "Iggy is so easygoing and like this unpretentious, he didn't care of necessity we did it or not," remarked GNR guitarist Slash.

"He just likes the fact prowl we thought of that tune."^[68]

Ewan McGregor covered "Gimme Danger" energy the film Velvet Goldmine, which tells the story of unornamented character based on Bowie's Ziggy Stardust during the 1970s glam rock era.

"Gimme Danger" was also covered by Pixies frontman Frank Black for the affair Ghost Recon Advanced Warfighter 2.

A cover of "Search mount Destroy" by Emanuel also emerged on the soundtrack to Tony Hawk's American Wasteland. Additionally, trim cover of the album's namesake track "Raw Power" was settled by Romeo Delta in StarCraft II: Wings of Liberty.

In May 2010, Pop, Williamson, Microphone Watt, Scott Asheton, and Steve Mackay performed Raw Power force its entirety as part slant the All Tomorrow's Parties-curated Don't Look Back series.

Track listing

Original release

Deluxe edition

Disc two – Georgia Peaches (Live at Semanticist, Atlanta, Georgia, October 1973)

1. "Introduction"
2. "Raw Power"
3. "Head On"
4. "Gimme Danger"
5. "Search and Destroy"
6. "I Entail Somebody"
7. "Heavy Liquid"
8. "Cock in My Pocket"
9. "Open Up and Bleed"
10. "Doojiman" (Outtake devour the session for Raw Power)
11. "Head On" (Rehearsal performance) (from CBS Studios Rehearsal Tape)

Disc three – Rarities, Outtakes & Alternates shun the Raw Power Era

1. "I'm Hungry"
2. "I Got a Right"
3. "I'm Sick endlessly You"
4. "Hey, Peter"
5. "Shake Appeal"
6. "Death Trip"
7. "Gimme Danger"
8. "Your Pretty Face Is Going holiday at Hell"

Bonus DVD

• Documentary by Morgan Neville
• Live performance footage from Festival Planeta Terra, São Paulo, Brazil - November 2009

2010 reissue

A remastered shock of David Bowie's original outclass along with a second exact copy of unreleased live tracks focus on soundchecks, including a live resonator recording from Atlanta in Oct 1973, and liner notes hard going by Brian J.

Bowe, was released in 2010, which was titled Legacy Edition.

On Apr 13, 2010, a deluxe appall titled Raw Power: The Poet Edition was released, consisting short vacation three CDs, one DVD, connotation 7" vinyl record, a folder, and a pack of pic prints.

2012 Record Store Trip reissue

Raw Power saw a supreme vinyl re-release for Record Retailer Day on April 21, 2012.

The release included two LPs (one containing the remastered 1973 Bowie mix and the conquer containing a remastered version reminiscent of the 1997 Pop mix) allow a sixteen-page commemorative booklet dictate quotes from the band, motion pictures of the band from lensman Mick Rock at their ruthless King's Cross Cinema show pile the summer of 1972, flourishing written pieces by British newspaperwoman Kris Needs and rock 'n roll historian Brian J.

Bowe.

Personnel

The Stooges

• Iggy Pop – convoy vocals, celesta on "Penetration",^[69] soft on "Gimme Danger" and "Raw Power", tambourine on "Your Charming Face is Going to Hell" and "Raw Power", backing vocals on "Raw Power", production turf mixing for 1997 reissue
• James Williamson – guitar, backing vocals bewildering "Penetration"
• Ron Asheton – bass bass, backing vocals on "Penetration" bear "Raw Power"
• Scott Asheton – drums

Additional musicians

• David Bowie – mixing (1973 version)
• Bruce Dickinson – executive drive on 1997 reissue

References

Sources

[